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Re: Ultramodernity & Hypermodernity in Typeface Design
On that last point, I think the British Standards categorization (1967) may have been a key point in the English language for thinking of Futura's categorization under the "geometric" label…2 -
Re: Digital strategy for "luxury" fonts
Or did they just stay put while most of the rest of the industry moved downmarket?1 -
Re: This should be an Interesting discussion - where do YOU draw the line.
The first three images in the OP's post don't bother me that much: if I sat down to create a soft, extrabold, humanist-axis font (an idea I think not "owned" by anyone) from scratch, it mig…2 -
Re: Josef Pichler & Sons, Graz paper bag
The mottled and overlapped hat in the same ink suggests to me this was lithographed, not letterpressed. I would guess there won't be a metal-type "smoking gun" here.5 -
Re: Variable fonts, axes values
See also the ideas in Intuitive Design for Variable Font Specimens.3
